These filter cloths that make up the artwork were used in the process of indigo dye production, during which the settling calcium carbonate in the indigo mix bit into the fabric and left on them traces of time, while friction and weight affected the edges and gave birth to the slits.
We find the way out by following the memories; along the way out we make magnificent moves.
Arrangements are made in the forms of writing and recording, using manuscript paper, maps, calligraphy, data cards and braille. From text to texture/textile, pen replaced with needle, a journey of writing begins on the indigotic fabric. Knots with bullion stitches and crochets, editing plus accenting; an alternative text achieved through the writing of femininity and labour. Modifiers as such continuously proliferate, hidden in the tortuous windings of the maze of script. They may have remarked or misinterpreted memories of previous lives; perhaps all is in vain.